Review: A Musical History of Disneyland,

Review: A Musical History of Disneyland
Page 6 of 6

Track 5 - Space Mountain
This track starts with some of the communications chat that played in the queue.  Then it fades into the original onboard soundtrack of Space Mountain.  Another one of my all-time favorites, the original soundtrack of Space Mountain managed to be both incredibly exciting and fun while maintaining the mysterious mood of outer space.  Dick Dale's masterful guitar work completes the unique sound.  Once again I'm going to nitpick a bit here, and that is that I've always been a little disappointed by the fact that the drop cue has never been included in the available tracks of the attraction.  For those of who you are not familiar with the soundtrack, the actual vehicles had certain musical cues that would be triggered by points on the track.  The most distinguishable was a musical cue that played at the biggest drop of the ride.  Again, not a very big deal but when I listen to that part of the song it just feels a little empty without it.

Track 6 - Buzz Lightyear Astro Blasters
Another track that begins with some fun sound effects.  Having never been on the Disneyland version before, I was very worried that the music would be the same music that plays at the Magic Kingdom.  Thankfully the music for Disneyland is immensely better than the obnoxious music that plays at Magic Kingdom.  The arrangements of the Randy Newman music ranges from somewhat creepy to up-tempo marches.

Track 7 - Space Mountain (New Daytime Version)
I never thought I would be satisfied with the replacement of the Space Mountain score, seeing as I thought the original was close to a work of genius.  I do though love this score, it has a fun "Incredibles" feel that is just infectious.  It is interesting that the track is just around a minute and a half, because the attraction is around two and half.  Either that means the new soundtrack uses the same launch music as the old one or there's music missing on the track.  This track really makes me excited to ride the new Space Mountain.

Track 8 - Remember. . .Dreams Come True
When I first heard about a show using the soundtracks of Disneyland I was overjoyed.  Well, I have to say my feeling about the soundtrack is a little on the mixed side.  First of all, the fact that the entire show is bookended with clips for the Magic Kingdom show Wishes is in my opinion a huge mistake.  The music doesn't really gel for me and I think it's a little on the tacky side that Disneyland doesn't get it's own anthem for the 50th fireworks show.  The show's first 5 minutes are almost a complete bore for me music wise, and even Walt Disney's opening day speech is poorly used in my opinion.  Once the show gets going into a tour around the various lands it improves greatly.  It starts with Main Street U.S.A with Maple Leaf Rag (although not a Rod Miller version to my ears which saddens me) and then it blends into the Main Street Electrical Parade.  After that is my favorite segment the Enchanted Tiki Room.  The re-orchestrated version of this song is a hoot to listen to and the transition into the Indiana Jones Adventure is genius.  I'm not sure why the original soundtrack wasn't used for the Indiana Jones Adventure, because the version used in this show lacks a little bit of the punch the original has.  Next is a montage of Haunted Mansion narrations put to re-orchestration of Grim Grinning Ghosts.  There's some cool arrangements in this section that may remind some of Danny Elfman music.  The following attraction featured is Pirates of the Caribbean, which focuses on the battle between the town and the Wicked Wench.  The music is deliberately reminiscent of the score used in the Pirates of the Caribbean movie.  The Mark Twain's whistle is the transition into a beautiful arrangement of Shenadoah.  The classic "This heres the wildest ride in the wilderness" Big Thunder Mountain safety spiel starts the Frontierland portion of the show.  The Ballad of Davy Crockett is arranged in a "big country" style and sounds fantastic.  The next segment uses the song Ev'rybody's got a Laughin' Place to bring together various attraction's sound effects.  In a brilliant touch the medley ends with the "pop goes the weasel" from America Sings.  Tomorrowland begins very moody with the Space Mountain communications chat and various dialogue from extinct attractions.  Then, after the Star Tours chime is heard the music crescendos with the Star Wars Main Theme.  Unfortunately the finale of the show again uses the music from Wishes.

Track 9 - Closing
I always found the closing announcements for Disneyland to be very charming.  Mickey and his friends sing the Mickey Mouse Club Alma Mater, much to Donald's dismay.

Disc 6

Track 1 - Country Bear Christmas
The holiday edition of this show has always been a lot of fun.

Track 2 - It's a Small World Holiday
The track begins with the clock tower fanfare and the Parade of Dolls arrangement of the March of the Toy Wooden Soldiers.  Then it's a float-thru the holiday version of the attraction.  For those unfamiliar with the overlay soundtrack, the music incorporates It's a Small World with Jingle Bells.  It's nice music, but there's something artificial sounding with the arrangements (I have the same issue with the Disneyland Paris version of It's a Small World) that is emotionally flat.  Also, the music doesn't vary nearly as much with the different show scenes so it does sound more repetitive.

Track 3 - Haunted Mansion Holiday (Premiere Version)
It's nice to have the original version included, as most fans preferred the premiere soundtrack to the holiday overlay.  This also means that this is a different soundtrack from the Haunted Mansion Holiday CD currently available.  Unlike the current score, this does not use music from Nightmare Before Christmas but instead intertwines Christmas carols and songs with Grim Grinning Ghosts.

Track 4 - Main Street Electrical Parade
A nice overview of the parade as it played in 1996.  A neat addition in this mix is the inclusion of the spoken words of Pete and Alice.

Track 5 - Fantasmic
Fantasmic has always been one of my favorite soundtracks of Disneyland.  After viewing my first performance I immediately rushed to buy the CD (or more accurately my sister bought the CD, but I played it a lot more.)  I particularly love the Pink Elephants of Parade electric guitar solo and main themes written by Bruce Healey.  This track features the complete show with dialogue and music.

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-- Review by Daniel Kaplan
-- Posted May 9, 2005