From “Hawkeye” to the Hyperion Theater: The Making of “Rogers: The Musical” at the Disneyland Resort

Many fans, upon watching Hawkeye on Disney+, dreamed that they would have the chance to see a real-life version of Rogers: The Musical. Now, when visiting Disney California Adventure, you have that chance. But how did it come to be? It turns out the creative team at the Disneyland Resort had the same idea as the rest of us. As Dan Fields, Executive Creative Director at Disney Live Entertainment, tells it, “We saw [Hawkeye] and said, ‘I want to see the rest of it. I want to see all of Rogers: The Musical.’ But then we realized, ‘Hey, we're Disney Live Entertainment. We can do that!’ So that's what we set out to do. We pull down this amazing team of collaborators as well as many other collaborators who are behind the scenes in the dark today to make it come to life.”

From L to R: Hunter Bell,  Christopher Lennertz, Sarah Kobayashi, Dan Fields, Dave Bushore. (Disney)

From L to R: Hunter Bell, Christopher Lennertz, Sarah Kobayashi, Dan Fields, Dave Bushore. (Disney)

But how do you condense the seven-film story of Steve Rogers into a thirty-minute theme park show? The team looked for the heart of the story, which was Steve and Peggy. “So much great musical theater is based around a love story,” Fields said. “When we honed in on that, even while Cap is having all these adventures in all the films, there's a compass and that’s Peggy. So we honed in on that love story of Cap and Peggy.” The show does not try to retell the entire history of the MCU, but by focusing the show on Steve and Peggy, it was able to use them as their guiding light.

The show-within-a-show on Hawkeye had one song, “Save the City,” and the team also knew they could lean into “Star Spangled Man” from Captain America: The First Avenger. But a musical needs more than two songs, so Christopher Lennertz wrote five new songs to fit the moments “where the emotion is so strong that talking won't work anymore, and you actually need to sing it.” The story of Rogers spans over seventy years, so the team was able to write songs in various styles that spanned the decades. From Big Band Jazz to Nick Fury’s funky number, the show runs the gamut. While the variety of styles brings a lot of energy, the show ensures each song has a role in telling the overarching story.

(Disney)

(Disney)

Disney veteran Sarah Kobayashi was tasked with the show’s choreography. She enjoyed the challenge of having to create a unified feel while also embracing the decade-spanning nature of the story. As she said, “The music and lyrics tell such a great story from the opening to the final bows, and I wanted to make sure the dance carried the same strong narrative. The time travel aspect gave us a great well to draw from choreographically, taking inspiration from various dance styles throughout the decades and spinning them with a modern twist.” She also had to balance the musical theater genre with the combat that is embedded in the story.

As Steve Rogers proved, sometimes there are challenges that require a team. Crafting Rogers: The Musical ended up being one of those challenges. But between writers, songwriters, choreographers, set designers, production designers, media producers, performers, technicians, operations cast, and many more, everyone involved rose to the occasion to craft a special experience for Guests of the Disneyland Resort.  

Combining musical theater and superheroes is not a guaranteed success. When the teams at Disney and Marvel presented their concept to Kevin Feige, you could imagine they might be nervous as they waited to see his reaction. But as they showed him the animatic of what they envisioned, Feige exclaimed, “Nick Fury Sings! That should be on the billboard!” He advised the teams to lean into and embrace what they created. The result is a mash-up of styles and genres that turns out to be a perfect fit for the Disneyland Resort.

Rogers: The Musical is performed at the Hyperion Theatre at Disney California Adventure for a limited time. The show is dark on Sundays, Mondays, and select other dates. Guests can check the Disneyland app for showtimes and virtual queue information.

Rogers: The Musical Credits:

  • Created and directed by Jordan Peterson
  • Book by Hunter Bell
  • Music by Christopher Lennertz
  • Lyrics by Jordan Peterson, Christopher Lennertz and Alex Karukas
  • Additional Music by Alex Karukas
  • Conducted by Christopher Lennertz
  • Arrangements by Alex Karukas
  • Vocal Arrangements by Alex Karukas, John Glaudini and Matthew P. Selby
  • Orchestrations by Michael Starobin, Charlie Rosen, Macy Schmidt, Andrew Kinney
  • Additional Orchestration by Matthew Leeds
  • Orchestra Contractors – David Low and Dan Savant  
  • Recording and Mixing Engineer – Frank Wolf
  • ProTools and Post-Production Engineer – Melissa Atwell
  • Executive Music Producer for Walt Disney Imagineering – Tricia Holloway
  • Principal Music Producer – Matthew P. Selby
  • Music Director – John Glaudini and Alex Karukas
  • Executive Creative Director for Disney Live Entertainment – Dan Fields
  • Executive Producer for Disney Live Entertainment – Roger Heartsner
  •  Producer – Jennifer Magill
  • Production Manager – Kate Frankl
  •  Production Stage Managers – Dana Barnes, Wendy Leef
  • Principal Technical Director – Adela Kuehn
  • Technical Director – Tom Judd
  • Art Director – Scott Auerbach
  • Drafting / Modeling – Lauren Gregorio, Ian Yater
  • Graphic Designers – Scott Tolleson, Tim Wollweber
  • Art Specialist – Dominique Chuatrakul
  • Audio Designers – Jon Damacion, Josh Fowler, Steve Sharp
  • Cosmetology Designer – Jennifer Brooks
  • Cosmetology Managers – Shemika Draughan, Noel Walker
  • Costume Designer – Joe Kucharski
  • Costumer – Renee Harrison
  • Costume Design Resource Assistant – McKay Keith
  • Costume Assistants – Curry Riley, Jan Bryeans
  • Costuming Managers – Kati Escamilla, Greg Williams
  • Choreographer – Sarah Kobayashi
  • Maintenance Choreographers – Nicole Banner, Alan Collins, Larissa Croon, Matthew Thatcher
  • Lighting Designer – Katy Streeter
  • Principal Media Designer – KC Wilkerson
  • Media Producer – Japheth Lewis
  • Media Principal Art Director – Giovanni Sensat
  • Media Creative Director – Jay Hatcher
  • Media Technical Director / Engineer – John Paul Perez
  • Media Compositors – Jon Baker, Ryan Baker
  • Production Specialist – Lisa Borio
  • Show Control Designers – Kevin Bowden, Heather Doshay
  • Special Effects Designers – Hunter Paris, Henry Tuttle
  • Video Designers – Travis Kelley, Chris Plonka
  • Tech Managers – Michael Bowman, Ray Widi

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